Showing posts with label genre. Show all posts
Showing posts with label genre. Show all posts

Sunday, 7 August 2011

Issues of Quality

I have discussed genre elsewhere, and have always said, what matters is quality. Now how do you define Quality? 

Sarah … came trotting by with her watering pot between those two doors, going from the corridor to her office, and she said, "I hope you are teaching Quality to your students.". ..
Quality . . . you know what it is, yet you don't know what it is. But that's self-contradictory. But some things are better than others, that is, they have more quality. But when you try to say what the quality is, apart from the things that have it, it all goes poof! There's nothing to talk about. But if you can't say what Quality is, how do you know what it is, or how do you know that it even exists? If no one knows what it is, then for all practical purposes it doesn't exist at all. But for all practical purposes it really does exist. What else are the grades based on? Why else would people pay fortunes for some things and throw others in the trash pile? Obviously some things are better than others . . . but what's the betterness? . . . So round and round you go, spinning mental wheels and nowhere finding anyplace to get traction. What the hell is Quality? What is it?
Robert M Persig Zen and the Art of Motorcycle Maintenance
 
I now have an easy definition which works for me as far as books are concerned- do I want to put it on my bookshelf beside Dickens, Austen and Gaskell? I am at the age where I can no longer be bothered with stuff I don't want- ornaments, kitchen gadgets, saggy socks- and books that I am unlikely to read again. They don't get as far as a shelf: an unwanted book moves straight from the bedside table to the hall-stand. In other words, it's on its way out!

Our reading group, attached to our local Library, has just finished reading My Sister's Keeper by Jodi Picoult. Now, although I read it quickly and with enjoyment ("It slipped down easily" said our librarian) it will not have a permanent place on my shelves. It's well written, it's a bit of a page-turner, the characters are interesting. So why? The twist at the end is satisfying in terms of story telling- in other words it's unforeseen and quite clever- but morally, it's a complete cop-out. I get the feeling that JP has engineered it to twist our heart strings! The issues raised by the book however, are important and suck any reader in- designer babies, sibling rivalry and love, possessive and controlling mothers, and filial love. It engendered lively and long discussion. One reader summed it up as "A pot-boiler about serious issues".

Coincidentally, I have just finished reading Sister by Rosamund Lupton, which shares some of the same themes- although not the central one. I found this book more emotionally engaging and true while still wanting to find out what happens next. And yes, I will read it again- it's earned its place!

Sunday, 22 May 2011

Genre- does it matter?


Until I published Moon in Leo, I scarcely noticed the genre of any book I was reading. I certainly didn't notice whether it was set in the past or the present. I did notice how well it was written, and if it had something to say. (I hate getting to the end of a book and saying "So what?" to myself.)

I still think this: after a century or two, does anyone notice that A Tale of Two Cities is a "Historical Novel", but Our Mutual Friend is contemporary? Looking back, I realise that many of my favourite books have been historical novels- Mary Renault- The King Must Die, Rosemary Sutcliff- The Rider of the White Horse, Philippa Gregory- Virgin Earth and Earthly Joys, Kathleen's earlier book- Queen of the Lightning to name a few.

When, a few years back,  I discovered two American novels- Cold Mountain by Charles Frazier and The Shipping News by Annie Proulx, I didn't think of them as fundamentally different: they each gave me a window onto a different world, moved me to tears and laughter, and as all good books, changed my view of the world. All the above have a permanent place on my shelves, to be read again and again.

What I didn't realise was that there are many people who choose historical novels over contemporary ones. It came as a bit of a shock therefore to find out that Moon in Leo cannot be marketed simply as a literary novel. In my naivety I thought it would be sufficient to post some good reviews and lots of people would like it. Now, Moon in Leo has received some excellent reviews, but it's no use my targeting lovers of Sci Fi Fantasy, or gritty Detective Fiction: it wouldn't hit their buttons.

This, and reading some comments suggesting that Moon in Leo is a Romance (for details, see my last post) led me to revisit an earlier post. Just as I was about to revise and re-post it, I came across this article by Emma Darwin (A Secret Alchemy, The Mathematics of Love) on the Romantic Novelists Association Blog: The Perils and. Pleasures of Crossing Genres

Some while ago, I found an indignant review of Kathleen's first book, Bride of the Spear. The writer berates the book for being too explicit for teenagers! I want to put the record straight with regard to Moon in Leo, so be warned:
It is not a book for teenagers. It is not a bodice ripper. It is not chick-lit. It is not escapist historical froth. It is not crammed with sensational violence or titillating sex. It is not an academic study of the socio-political and religious background to the Restoration of Charles II. If you read historical fiction to escape from what you see is a nasty modern world, you will be disappointed. Kathleen's past is not soft focus and rosy.

It's a book for grown up, intelligent people. You will understand the political, social and religious issues of the time better, when you have read it. You may even return to your history books- it is a fascinating period! You will have a good mental picture of that area of England's North-West. You may even plan a visit, if you are not lucky enough to live there: it is a place of great beauty. Above all, you will have read a cracking good story, with suspense, romance, tragedy, laughter, horror, beauty, violence, tenderness, loss, compassion, hatred, a heroine and hero who will stay with you long after you put down the book, and a sense of having shared a richness and maturity of vision with Kathleen.

Now that Moon in Leo is available on Smashwords, at less than half the price of the print version, and will be available soon for a limited period free- download it and let us know by a comment what genre you think it is!