Showing posts with label design. Show all posts
Showing posts with label design. Show all posts

Sunday, 26 February 2012

A YEAR IN THE LIFE OF A SMALL PUBLISHER

In February 2011 we published Kathleen Herbert's Moon in Leo; that in itself quite an achievement since I received it in a chaotic jumble of over a thousand badly typed pages, just over 6 months before. (Read the full story here)
It is February 2012, and we are about to publish our third book, The Boy with Two Heads, so I am in celebratory mood.
 
SEMIOTICS AND COVER DESIGN
 
Our covers have been praised for their beauty and elegance and I hope the new cover will appeal too. It is busier and more "modern" looking than the others, but, like them it has its own story. A cover should tell you as much as possible about the content of the book.   (I wrote an earlier post about how some American covers were misleading) Just as with Moon in Leo and Paths of Exile, the images were chosen for their significance as well as for their look. This is what makes cover design so fascinating: sometimes the semiotic aspects war with the aesthetics! When they both come together it's magical. I hope we have got it right with this one- but I am sure you, the readers will tell us- please feel free!

THE BOY WITH TWO HEADS COVER STORY

Both background photographs were taken by the author: the picture on the front is of the Panathenaic Stadium in Athens, built in 1896 to house the first modern Olympics. 

A detail from the map of Ancient Athens. The bridge over the Ilissos (now covered by a modern road) is the spot where both Themis, and over two thousand years later, Suzanne, meet with their accidents. The natural amphitheatre between the hills is the site of the Panathenaic Stadium. In 432 BC, this is where  Athenian youths would practise their sports. 

The girl on the cover (our Suzanne) is looking towards the crossing where her accident occurs. The photo on the back of the book is of the crossing itself and the police accident board (a real board, kindly loaned by my local constabulary) is on the exact spot where the accident occurs. The bronze head (our Themis) is of the Youth of Antikythera in the National Archaeological Museum of Athens. When we had problems obtaining permission to use a photo of the statue, Alex, who lives in Athens, stood on tiptoe and held her camera above her head to get the picture we finally used.  Designer Kate worked her magic on it, and finally flipped both heads!


When she turned this-


















into this-























we all three knew it felt right. Don't forget to tell us what you think!


Tuesday, 10 January 2012

FIND THE NAME: LOSE THE LADY?

I have had this little puzzle for longer than I can remember. It is my metaphor for life. It reminds me that everything you do impinges on something else. It reminds me that if I want to do X, Y or Z, I will almost certainly have to do A, B and probably C first! It reminds me that nothing is ever as simple or as easy as it seems.


When I fished it out of the drawer just now, it already displayed LADY on the top line. Could I make another word without losing the lady? Well, I could, but I had to move every other little plastic square. Perhaps I can now make CUT- but the prospect makes me feel tired. Oh hang on- if I make CIT (not a word- really except as op. cit.)- or better still TIC- I could have PURR!


Instead, I will embark tonight on the final styling and typesetting of The Boy with Two Heads, adding maps, lists of characters and author notes. I am excited at this prospect but know from experience that it will be just like my slidy plastic puzzle: when I change something at the beginning, it will mess up a page near the end; just as I think I have got it all sorted, in the right order, I will find a typo, and have to go onto the next page to change it; and it will take 10 times as long as I had bargained for. Meanwhile, Kate will be waiting for me to order the cover template so that she can get on with the final design. I can't order the template until I know exactly how many pages the book will have, as this affects the width of the spine. You see- it's exactly like my plastic puzzle!

Don't forget to visit Julia's new blog, and read the story from her POV!